![]() ![]() Th is bowing helps us to paint the scene for bar 22, where according to the text we have to run, stamping our feet. The end result is a new take on this classic that allows each section to play soaring melodic lines and energetic sixteenth notes. If it’s uneven, it doesn’t matter: the effect is more important. This arrangement transforms the beautiful melody of the second movement of Vivaldi’s famous Winter concerto and weaves it into the excitement of the first movement. The trick is not to start on the string but to throw the bow and use the natural bounce, letting the bow fall backwards and forwards. The semiquavers (s) are grouped in fours with dots under a slur, and it’s important to do these bowings – four downs, then four ups. It’s important to define a tempo at bar 13, so that the orchestra knows where to come in.Īt bar 20 ( example 2), we need to ‘hit’ the string to achieve a beating sound. ANTONIO VIVALDI - Le quattro stagioni Die vier Jahreszeiten. I use ponticello and play with rubato, not completely rhythmically, like a whirlwind. You can download the PDF sheet music Vivaldi - Winter (Seasons) for violin and piano on this page. When the violin solo begins in bar 12 ( example 1), the score instructs us to tremble from cold in the icy snow, in the harsh breath of the horrid wind. I ask the orchestra to play ponticello from the beginning, and then I crescendo through bars 10 and 11 to the solo entrance at bar 12 for each solo entrance after that (bars 14 and 17), I give more and more. Vivaldis original arrangement for solo violin with string quartet and basso. From the first entry at bar 4, keep the left hand trilling constantly and articulate the dotted slurs using the bow to give a queasy, wintry feel. For example, Winter is peppered with silvery staccato notes from the high.
0 Comments
Leave a Reply. |